When it comes to choosing the next book to read, I’ll read anything. I love challenging myself to different genres and diverse authors. I think we learn about our world as readers, and writers, through different mediums and kinds of storytelling.
April is National Poetry Month, and I love exploring this genre because it reaches the reader in a way unlike any other written form. Many of my favorite writers began as poets, and there’s something to recognize about the talent and skill it takes to craft a poem that makes you feel something in a short amount of words and with little filler.
Susie Meserve is a poet, memoirist and blogger. Her first collection of poems, Little Prayers, was recently published by Blue Light Press and was the winner of the 2018 Blue Light Book Award.
I’ve followed Susie on twitter and her blog for years, so am happy to welcome her over to the Happiness Project to chat about her new book and why poetry matters today.
JW: Welcome, Susie!
Describe Little Prayers in three words.
SM: Poetry about life.
What would you say are the themes in this collection of work?
Death and rebirth, flight and return, the life of dreams, the fleetingness of time. And maybe, as Michelle Bonczek Evory suggested on my book cover, “the daily mundane.”
Your poems feature detailed captures of moments and objects, how we can find ourselves lost within those fragments. Is that where the title “Little Prayers” comes from, those moments?
I think so, yes! This book had several other titles before Little Prayers—for a while it was called “Losing Paradise” (and a friend suggested “The Oracle”). When I stepped back and looked at it, though, I realized that while the poems were all very different thematically and structurally, there was this fleeting, temporary quality to almost all of them. I hope that doesn’t mean they’re not memorable, but they do seem to capture somewhat ephemeral snippets of time—a bird flying in the window, waking in the middle of the night, a session doing dishes, a little ruminating on California—in a meditative, quiet sort of way. So then I looked at the poem “Little Prayer” and thought, yeah, that’s my title poem. I just slightly changed it to indicate a multitude of prayers, not just one. I should add: I’m not a religious person, but my poetry chapbook (Finishing Line Press, 2008) is called Faith. I’m not entirely sure why. I think the act of writing poetry feels somewhat spiritual to me. And let’s face it, it requires a lot of faith—in something!—to be a writer in today’s world.
What does writing poetry compared to other forms of writing allow you to do differently? Do you think you can speak your truth, or Truth, more clearly?
I love that you capitalized Truth, here, like the universal Truth. I don’t know if I believe in that concept, though. I actually think I can speak my own truth more clearly in personal essays like this one and this one, where I’ve had to be deeply honest to tell the story. In poetry, I can speak multiple truths, in a sense. It’s all very sneaky. Poetry is absolutely my first love, and I think what I love about it is the unexpected. I just begin sometimes, and things surprise me, and then I have a poem (that may or may not be “true”). This can be very freeing—when it’s working.
Your poems include a variety of style and format. How do you decide what is the “right” format for your poem as you’re writing?
Great question. This book consists of poems from over 15 years of writing, so it represents a lot of different styles as I tried them on over the years. For a while I was really feeling couplets, then these formless, no-stanza, rambling poems, then poems with numbered sections. I think the poem usually tells you what it wants. For me, a poem I want more control over—because it’s got a more intense, precise quality, maybe—will ask for couplets or tercets, whereas one that feels more free and easy—or unwieldy—might not want any stanza breaks at all.
What’s your best piece of advice for someone writing poetry?
I don’t use prompts, really (though I do like the prompts in the book The Practice of Poetry, edited by Robin Behn and Chase Twichell, excellent for beginners). My biggest advice is to READ. I think when you start to be able to identify the kinds of surprises other poets incorporate into their work, you start to incorporate your own. So reading a wide variety of styles and voices is just essential.
Why do you think poetry is important today?
I think poetry asks us to tap into a different part of our brains than prose does. It demands and requires more intangibility. I remember well the time my mom told me she liked my poems but felt like she didn’t understand them. I told her she didn’t need to, that she should just appreciate what she got out of them. She told me later how freeing that was for her, that me giving her permission not to work too hard took away a lot of her anxiety and allowed her to just sit with the lines and enjoy them. I think that’s one of the things that’s hardest about poetry—we don’t always “get it” in the way we might, say, a novel or a memoir, and maybe that’s why people run away from it. We don’t want to feel stupid or like we’re missing something. We want clarity, answers. Because poetry often raises questions. But I think that’s a really good thing! Poetry can open us up to mystery and abstraction, which is good for our brains and our hearts. And the music of poetry—learning to hear it—is essential for anyone wanting to write or appreciate good writing.
What’s next on your writing desk?
I’m most excited about a new poetry collection I’m working on. I’m writing a series of poems about infertility, pregnancy, and motherhood. They’re deeply personal, much more raw, and all linked thematically. I’m thinking of it a bit like a memoir in verse. It’s going really well. I’m super inspired, and just hoping it’s, you know, good.
I’m sure it will be! Thanks, Susie!
In honor of National Poetry Month, Susie is giving away a free copy of Little Prayers to two lucky people who signs up for her newsletter before Sunday, May 6th! Sign up at Susie’s website to win!